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| [remastered], 2013. by Travis Simpkins |
A reinstallation of the Worcester Art Museum's paintings from the 16th-18th centuries provides a new look at Old Masters.
In celebration of the recent gift of Paolo Veronese’s Venus Disarming Cupid, the Museum is reinstalling a suite of old master galleries featuring Renaissance and Baroque masterworks. Paintings will be displayed in medallion-style hangings—reminiscent of the 17th-18th century—that encourage the viewer to make personal connections with and between the works. This project is one of many where the Museum is focused on reshaping the visitor experience.
The [remastered] galleries will remain on view permanently.
Gallery as Concept
The Museum is working on alternative design approaches that encourage new ways for visitors to interact with and participate in daily uses of the gallery as: a classroom, inviting formal (collegiate) and informal (drop-in visitor) learning; as a laboratory, with interpretative and interactive iPod applications; as a sanctuary, reintroducing spirituality practices with interfaith clergy; and as a community space, activating the galleries as a welcoming place for family audiences. The goal is to balance opportunities for quiet contemplation—the “traditional” museum experience—with new interactive and experimental programs.
Two interactive iPads will focus exclusively on two works of art every two months, inviting visitors to add their own labels and to see what others have written. These visitor labels will be added to the growing online gallery of information and feedback. Come back to visit every two months to see the two new highlighted works, and add your voice.
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| European Galleries- Worcester Art Museum. by Travis Simpkins |
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| European Galleries- Worcester Art Museum. by Travis Simpkins |
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| European Galleries- Worcester Art Museum. by Travis Simpkins |
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| Matthias Waschek, Worcester Art Museum Director |
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| European Galleries- Worcester Art Museum. by Travis Simpkins |
