Showing posts with label Japanese Art. Show all posts
Showing posts with label Japanese Art. Show all posts

Sunday, December 14, 2014

An Exhibition that Didn't Happen in 2014: A Screen for the New Year: Pines and Plum Blossoms- December, 2013 - mid-April, 2014

Kano̅ School, Edo period (1615-1868), 17th century. Six-panel folding screen


Japanese Gallery

December - mid-April 2014
"Above: Kano̅ School, Edo period (1615-1868), early to mid-17th century; Six-panel folding screen; mineral pigments, ink, and gold leaf on paper; Stoddard Acquisition Fund, 2012.97

     This rare early to mid-17th century screen is superbly representative of the sophisticated elegance, energy and sumptuousness that appealed to Japanese noblemen and feudal lords. Created to be displayed in a dimly lit room in a castle at New Year's, the screen features two enduring New Year's symbols set against a gold foil background: dark, hardy evergreen pines that are emblematic of long life, dignity and power, and the first flowers of the lunar calendar year, delicate white plum blossoms symbolic of new life.

     During the 15th and early 16th century, Kano̅ school artists were often commissioned by Zen abbots and feudal warlords to produce monochrome ink paintings, for example of Chinese landscapes with scholars or tiger and dragon motifs. However, during the late 16th and early 17th century, Kano̅ Eitoku (1543-90) and his sons and students dramatized and expanded the Kano̅ school repertoire and painting-style. During the peaceful Edo period (1615-1868), when wealthy merchants also began to commission screens, Kano̅ school artists freely merged ink brushwork with the bright colors, patterning and seasonal references associated with native Japanese tastes" -www.worcesterart.org

Wednesday, June 18, 2014

Then and Now: First Floor, Hiatt Wing- Worcester Art Museum, 1984 and 2014

First Floor, Hiatt Wing- Worcester Art Museum, 1984 and 2014


Then and Now: 
First Floor, Hiatt Wing- Worcester Art Museum
1984 and 2014 
by Travis Simpkins


First Floor, Hiatt Wing- Worcester Art Museum, 1984

First Floor, Hiatt Wing- Worcester Art Museum, 2014

Sunday, May 4, 2014

Paul A. Falcigno's Generous Gifts to the Worcester Art Museum

Paul A. Falcigno's Generous Gifts to the Worcester Art Museum

     The generous gifts of Paul A. Falcigno (1930-2013) have provided inspiration and material for four exhibitions of Japanese Prints from 2013 to 2014 thus far.

Sunday, September 29, 2013

New Yoshida Family Prints on Display

Five Works by Three Generations- Yoshida Family


"Maple" by Tsukasa Yoshida

A number of new woodblock prints are up, featuring works from different generations of the Yoshida family.

In 2010, Travis Simpkins put the Museum in contact with a collector, Paul Falcigno, who subsequently donated over 300 Japanese prints to the collection. As a result, The Worcester Art Museum can now claim the distinction of having the largest collection of naturalistic works by Yoshida Toshi in the U.S.

"Stone Lanterns" by Toshi Yoshida


Five Works by Three Generations- Yoshida Family

Sunday, September 8, 2013

"Looking West and Looking East": Landscape Woodblock Prints by Yoshida Toshi (1911-1995)

Looking West and Looking East- Yoshida Toshi

In 2010, Travis Simpkins put the Museum in contact with a collector, Paul Falcigno, who subsequently donated over 300 Japanese prints to the collection. As a result, The Worcester Art Museum can now claim the distinction of having the largest collection of naturalistic works by Yoshida Toshi in the U.S.

This small exhibition, Looking West and Looking East, features landscape woodblock prints by Yoshida Toshi (1911-1995)

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Looking West and Looking East- Yoshida Toshi

Sunday, August 25, 2013

"Silent Gardens" Woodblock Prints by Yoshida Toshi (1911-1995)

Silent Gardens- Yoshida Toshi


In 2010, Travis Simpkins put the Museum in contact with collector, Paul Falcigno, who subsequently donated over 300 Japanese prints to the collection. As a result, The Worcester Art Museum can now claim the distinction of having the largest collection of naturalistic works by Yoshida Toshi in the U.S.

This small exhibit, Silent Gardens, features the "White-line Series" of woodblock prints by Yoshida Toshi (1911-1995).

Silent Gardens- Yoshida Toshi

Silent Gardens- Yoshida Toshi

Silent Gardens- Yoshida Toshi

Silent Gardens- Yoshida Toshi

Silent Gardens- Yoshida Toshi

Silent Gardens- Yoshida Toshi

Silent Gardens- Yoshida Toshi